This piece combines sintered clay, sourced from Okinawa, with casted forms created using mass production techniques. The contrast between primitive shaping methods and human-engineered techniques symbolizes the duality of existence—beginning and end, motion and stillness, good and evil—always intertwined.
In a world of opposing extremes, everyone holds this dual nature. Recognizing and accepting this truth can foster mutual forgiveness and pave the way for peace.