The work adopts nature's bionic design, and the jar is full of flowers, including peonies, spring flowers, sunflowers, chrysanthemums, plum blossoms and lilies, which are soft and natural; the underglaze carving is sharp and smooth, and it can be seen that all kinds of flowers blossom on top of each other, constituting a seven-layered floral coverage; the overall form is dynamic and static, and elegant and solemn, which implies that ‘the flowers are presented to us in the form of a fusion and symbiosis’.
The overall form is dynamic but static, elegant and solemn, signifying ‘a hundred flowers presenting Switzerland, integration and coexistence’. The work as a whole green glaze warm, onyx texture is strong; its shoulders and abdomen full and rounded, mouth and foot trimming craft exquisite; standing embryo moulding, the body of the vessel circumference, there is a ‘big tool is free to become’ trend.
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