This work is built upon a foundation of soil and burnt plastic, creating a textured surface imbued with a strong sense of ruin. Over this base, dyed rice paper is applied using the traditional stone rubbing technique, as if re-inscribing a distant landscape onto broken and charred fragments. The modernity of the plastic burn marks interweaves with the ancient aura of the rice paper’s dye, rendering the piece akin to a land forgotten by civilization yet still resonating with cultural echoes. It serves both as a silent denunciation of ecological destruction and as a quest to rediscover and reconstruct the enduring spirit of traditional landscape aesthetics.